The Bobby Fischer/Boris Spassky world chess championship in
the summer of 1972 was one of the most followed sports dramas of the Cold War
era. The film Pawn Sacrifice by
director Edward Zwick (Glory, The Last Samurai) recounts this epic battle that pitted
the best of the Soviet system against an enigmatic and mercurial young prodigy
from Brooklyn. Taking on the enormously
difficult task of dramatizing the best of 24 game series and profiling the
tempestuous and eccentric Fischer, Zwick largely succeeds in making a film that
is at one time a Cold War drama, a character study and a time piece. Tobey Maguire clearly spent a great deal of
time studying Fischer, and nailed his mannerisms, gait, and irascibility and Liev
Schreiber portrays the confident, more dashing Boris Spassky with real panache.
Bobby Fischer was one of the most interesting figures in
American popular culture of the 1970’s.
Raised by a single mom (who was under investigation by the F.B.I. for
her subversive activities), Fischer turned to chess at an early age (likely in
part as a distraction from his broken home) and learned to play on his own and
through hanging around his local chess club in Brooklyn.
Chess in the Soviet Union is its national pastime and Boris
Spassky was a product of the Soviet chess system, which identified, culled and
trained chess players, and consequently, the Russians dominated the chess world
for decades. The matchup was a classic
battle between an American maverick and a representative of the collectivist
system. The Soviets played chess as a
team sport and Fischer accused the Soviets of colluding at tournaments.
Fischer’s obsession with the game propelled him to become
the youngest grandmaster at age 15 and the youngest U.S. Chess Champion at age 20,
propelling him into the national media spotlight in the late 60’s and early
70’s. Seemingly overnight, the socially
awkward Fischer became a national sensation.
His stardom spawned a boom in chess, as chess clubs flourished across
the country and chess sets flew off the shelves.
The East and West could not fight a hot war without
destroying themselves, so they fought proxy wars in other countries, competed
for dominance in space, and in 1972, their representatives battled in Reykjavik
on a chess board. Pawn Sacrifice
captures this high drama and the vaulting of an unlikely temperamental nerd
from Brooklyn to media star. After
losing the initial game, and forfeiting the second because of one of his
recurring tantrums over playing conditions, Fischer went on to beat Spassky. While there was no blood, bullets or guns on
the screen, Zwick makes this confrontation every bit as riveting as his other
war films- The Last Samurai and Glory.
Interestingly, a couple of months later, Team Canada beat the Soviet
Team in the other source of Soviet pride –hockey--in a come from behind effort
in their Summit Series. I can’t help but wonder if those two events were a
foreshadowing of the collapse of the Soviet Union.
Pawn Sacrifice ends as abruptly as Fischer’s stardom and spends
only a few moments on the end game—Fischer’s disappearance from competitive
chess and the entire national spotlight (and re-emergence in 1992 to take on
Spassky in a rematch), his vagabond existence and his deteriorating mental
health. If you are interested in
filling in the missing parts, read “Bobby Fischer Goes to War: How the Soviets
Lost the Most Extraordinary Chess Match of All Time,” by David Edmonds and John
Eidinow.
The puzzling, contradictory figure of Fischer is perhaps
best captured by my two favorite quotes by Fischer. His steely, cold competitiveness was revealed
by Dick Cavett (Cavett himself suffered from bipolar disorder) when Cavett what
gave him the most pleasure in chess, Fischer responded, “The moment when I
break my opponent’s ego.” Yet this same solitary
and reclusive Bobby Fischer’s last words on his deathbed were, “Nothing is as
healing as the human touch.”
Fischer belongs in that pantheon of genius talents such as John Nash, Vincent van Gough, and Jack Kerouac that were simultaneously given a remarkable gift and a curse to a high degree and Pawn Sacrifice excellently portrays Fischer as a troubled front line soldier in the Cold War that defeated the Soviets on a bloodless battlefield.